Showing posts with label drew mconie. Show all posts
Showing posts with label drew mconie. Show all posts

Review - Strictly Ballroom (Piccadilly Theatre)

Just when it seems the West End couldn’t get any glitzier, Drew McOnie’s glittery adaptation of Baz Luhrmann’s 1992 cult hit Strictly Ballroom transfers to London, leaving a trail of sequins in its wake. Following a smash hit premiere in Leeds, the vibrant new musical is currently storming the stage of the Piccadilly Theatre, and providing enough raucous fun to rival even the most popular West End stalwarts.

Zizi Strallen and Jonny Labey in Strictly Ballroom
Photo credit - Johan Persson
Scott Hastings is an ace dancer with his sights set on the ballroom dancing big leagues. Unfortunately, a passion for inventing his own steps lands him in hot water, and his put upon dance partner Liz abandons him, leaving him solo just weeks before the Pan-Pacific Grand Prix competition. Enter Fran, a dorky wannabe dancer with frilly ankle socks and an almighty crush on the rebel golden boy at the dance studio she attends. Scott reluctantly partners with Fran and helps her to blossom into the master hoofer she dreams of being. But up her sleeves she’s got some surprise moves of her own!

Simply put, Strictly Ballroom is irresistible. Choreographed to perfection by Drew McOnie, this is one musical where the dance aspect undoubtedly outshines all other facets of the production. Mastering the exhilarating moves, Zizi Strallen is an unparalleled leading lady, alongside the equally charming Jonny Labey. Undoubtedly, they've got to be top contenders for the West End's most charismatic on-stage couple. Strallen is as convincing as the klutzy beginner Fran as she is as the willowy star who emerges after weeks of rigorous training. Meanwhile, Labey brings lots of light and shade to Scott, the smug competitor, and as a result their joint journey gives the overblown story a surprisingly emotional heart.

However, while the slick and impressive dancing and compelling leading duo keep the show looking glossy throughout, Strictly Ballroom is slightly let down by its use, or rather underuse, of music. The musical’s jukebox soundtrack is certainly fun, and played with verve by an extraordinarily zesty on-stage band whose relentless beats kept the energy on a nonstop high, but it all feels rather incidental, which is unusual for such a theatrical West End show.

The songs of Strictly Ballroom are, for the very most part, performed by onetime Pop Idol winner Will Young, who has made a name for himself as a dependable musical theatre performer over the last few years. Here he plays extravagant commentator Wally Strand, a ballroom dance fanatic with energy to spare. He adds some extra humour to the proceedings, and sings up a storm, but despite this his presence feels a little shoehorned in. It would been nice to see Wally Strand take a more active role in the story, thus justifying his presence. In contrast, at one of the musical’s emotional high points, it is glorious to hear Fran and Scott finally sing out to each other in an expression of love, but sadly it’s a rather short lived moment which fades quickly.

That being said, the whole production comes together so impeccably that its faults are easy to look past, especially when the musical is taken for what it is; a dazzling and hilarious bit of over-the-top fun! Sure, the dancing may be a spectacle on its own, but the whole production revels in glorious excess. 

With eye-popping costumes, overflowing with dreamily garish sparkle, decking out a bedazzling supporting cast, including Anna Francolini as Scott’s unyielding dance mom, Strictly Ballroom is a feel-good visual feast which will mesmerize audiences from start to finish. And yes, there’s even a confetti cannon to bring everything to a close!

Review - In The Heights (King's Cross Theatre)

October is officially upon us, but while the weather gets colder and London begins to look more and more bleak and autumnal, the King's Cross Theatre is still sizzling with summer heat thanks to In The Heights! Lin-Manuel Miranda's creation has just celebrated 1 year at the King's Cross Theatre, and while the show may have experienced some cast changes since it first opened in October last year, the show is still as fresh, vibrant and full of talent as ever.
Photo credit - Johan Persson
Set in Manhattan's Washington Heights during a summer heatwave, In The Heights follows the lives of the inhabitants as they struggle with their own individual plights, as well as the larger issue of gentrification in the area. While there is an overarching storyline, the plot is a combination of several different characters' stories, and as such the audience is inevitably able to identify with at least one of the characters' predicaments. 

Several of the original cast members remain with the show, the most notable of which being Sam Mackay who plays the lead role of Usnavi. Mackay has received rave reviews for this role, and it's easy to see why. He exudes a likable dorkiness which really endears him to the audience. Add to this his mastery of rap and easy charisma and he is the perfect man to lead the cast of In The Heights

Despite Usnavi being the central character, the plot really revolves around the community of the Barrio, with Usnavi himself pointing out that his role is to 'illuminate the stories of the people in the street'. In fact, the show is very much an ensemble piece, with a cast which is faultless without exception. Some notable new additions to the cast include, Sarah Naudi as Vanessa, Juliet Gough as Camilla, and Arun Blair-Mangat as Benny. Blair-Mangat brings a likable swagger to the role and has beautiful chemistry with Gabriela Garcia's Nina. 
Photo credit - Johan Persson
Central to this production of In The Heights is Drew McOnie's award winning choreography, which perfectly compliments the pulse pounding Latin and hip hop inspired score. Almost every song is accompanied by heart stopping choreography, but it never distracts from what is being sung, nor does it look overcrowded or cramped on the King's Cross Theatre's traverse stage. Instead it draws attention to the theme of community which is central to the story. 

However, no doubt for many audience members the biggest draw of In The Heights is the music. With music and lyrics by man of the moment Lin-Manuel Miranda, those biding their time until Hamilton arrives in London next year will no doubt enjoy the clever, witty and sometimes gut wrenchingly ratable lyrics of In The Heights

From the opening number onwards, every song grabs the audience and forces them to sit up and listen. There is a delightful urgency to many numbers which echoes the bustling and relentless community within the Barrio, and nowhere is this more relevant that in 'Blackout', the act 1 finale. It's a showstopping number all round, with ingenious lighting design and sizzling vocals, all of which emphasise the amazingly affecting melodies and motifs of Miranda's music. Contrastingly, more simplistic solos such as Nina's first song 'Breath' still elicit an incredible reaction, thanks in no small part to actress Gabriela Garcia whose spine tingling vocals capture the essence of the song perfectly. Unfortunately, occasionally this level of emotion is not reflected in the book, which does seem overstuffed and over-sentimental at times. However, this is a minuscule nitpick in such a multifaceted show!

All in all In The Heights is still one of the most exciting and unmissable musicals in London. Be sure to catch it before it closes on January 8th 2017.

In The Heights has extended its London run at the King’s Cross Theatre for the third and final time and is now booking until Sunday 8 January 2017. Tickets start at £22.50, with a selection of best seats available for Under 25s at a special rate of £15 at every performance. Visit www.intheheightslondon.com for more information and to purchase tickets.

In The Heights Celebrates 1 Year at the King's Cross Theatre

On Friday 30th September 2016 In The Heights celebrated its first birthday at London's Kings Cross Theatre. Lin Manuel Miranda's Tony and Olivier Award winning show opened at the Southwark Playhouse in 2014, where it received rave reviews. As a result it transferred to the King's Cross Theatre in October 2015, and has been running there ever since. At the 2016 Olivier Awards In The Heights was nominated for 4 Olivier Awards and won 3 for Outstanding Achievement in Music, Best Choreographer and Best Supporting Actor for David Bedella.

Photo credit - Johan Persson
The show is a personal favourite of mine, and so I was excited to be invited to its 1st birthday party. The evening began with drinks in the King's Cross Theatre foyer. It was nice to mingle with other theatre bloggers and reviewers, and also just enjoy the vibe of the room. 

The foyer is decorated with New York inspired signage, which is taken down and replaced with archaic Victorian signage before every performance of The Railway Children, which runs in rep with In The Heights. This attention to detail is important, as it means that the audience is already immersed in the atmosphere of Washington Heights before the show even begins. 


Having chatted to the other guests for a while it was time to move into the auditorium, where we were greeted by cast members Raffaella Covino and Johnny Bishop. The pair informed us all that we would be learning some of choreographer Drew McOnie's choreography, specifically a move called 'The Arm Breaker' which features in the show during the club scene at the end of act 1. As someone with a notorious pair of left feet, I was a little bit apprehensive to say the least. However, we were taken through the choreography step by step and shockingly Emily (my sister, dance partner and plus one for the evening) and I actually nailed the steps in the end. So much so that Raffaella gave us some advice on how to finesse our performance! Once everyone was fairly confident in what we were doing, some more of the show's cast members joined us on stage, and we all performed the dance together! Learning a little bit of salsa dance was fantastic fun, and getting to dance with some of the amazingly talented cast was brilliant too. We all tried our best but they made every step look effortless!

Once we'd all caught our breath we made our way back into the foyer to enjoy a buffet of lovely food (there was hummus, there were tortilla chips... I was in heaven!) and have a little chat to some of the cast members. I was fortunate enough to have the opportunity to interview Arun Blair-Mangat, who recently joined the show as Benny, as well as Sarah Naudi who is currently playing Vanessa, but had been with the production since its Southwark run, where she played Carla.

Finally the rest of the audience began to arrive and we took our seats. The theatre was buzzing with excitement. In The Heights is a show with a very dedicated and vocal fanbase, and it was clear that many of those fans were in the audience, which only made the atmosphere of the show more enjoyable. In The Heights is a story about family, community, hopes and dreams, themes which resonate universally. Perhaps that is why it is received so positively night after night!

In The Heights has extended its London run at the King’s Cross Theatre for the third and final time and is now booking until Sunday 8 January 2017. Tickets start at £22.50, with a selection of best seats available for Under 25s at a special rate of £15 at every performance. Visit www.intheheightslondon.com for more information and to purchase tickets.

Review - In The Heights

Lin-Manuel Miranda really is the man of the moment. His hugely hyped new musical Hamilton is currently making waves on Broadway, while over here in London his Tony Award winning musical In The Heights (music and lyrics by Lin Manual-Miranda, book by Quiara Alegría Hudes), last seen at the Southwalk playhouse in 2014 has just been revived at the Kings Cross Theatre.
Having missed out on the show during its initial run, and subsequently hearing it praised nonstop I was desperate to experience it for myself, and so as soon as tickets went on sale in September I grabbed one, and I've been looking forward to it ever since.

Incredibly, In The Heights not only lived up to, but in my opinion exceed the hype surrounding it. Reminiscent of Rent in several ways but at the same time markedly different, the show is largely an ensemble piece, following the lives of the inhabitants of Washington Heights during a summer heatwave. There are enough ups and downs, loves and losses to keep you engaged throughout the show, and although there are quite a few characters, each one is fleshed out and likable enough that you’ll have no trouble following every story line. Especially thanks to Luke Sheppard's tight direction. 

From the moment the first actor entered the stage I was captivated. The connection between actors and audience was unlike any I’ve experienced before. I felt as if I was a part of the action onstage, and by the end of the show it was as if I knew each of the characters personally. This was, in no small way, due to the mesmerising and endearing performance of Sam Mackay as the show’s main protagonist Usnavi. He had the audience in the palm of his hand from the moment he opened his mouth, and he sang and rapped with a charismatic flair which was a joy to watch.  Similarly, Lily Frazer as Stanford student Nina was sensational, with enviable costumes (by Gabriella Slade) and an even more enviable voice! As her parents Kevin and Camilla, David Badella and Josie Benson were a vocal team to be reckoned with, while Victoria Hamilton-Barritt stole almost every scene she was in as gossipy salon owner Daniela! The energy and talent displayed by every single cast member was just entrancing!

I was also wowed by the set design, and way the space in general was transformed. Having seen The Railway Children which is still running in rep with In The Heights at the moment, the two shows set ups couldn’t be more different. Before I even entered the theatre I was met with the sounds of atmospheric music playing, evoking thoughts of NYC, while graffiti murals and posters helped to set the scene brilliantly. Upon entering the theatre (a significantly smaller seating area than that used on The railway Children) I was impressed with how detailed and vibrant the set design was, and particularly enjoyed the use of two large movable ladders which were used to create height or signify a change in location, and were even incorporated into the shows choreography at several points.

On the subject of choreography, Drew McOnie’s movement and dance pieces were a joy to watch, adding flair to the show's already buzzing atmosphere. But it was the music that I found particularly stunning. Prior to seeing the show I was cautious about how much I’d enjoy the hiphop and rap influences of the music, as normally this kind of music would not appeal to me. However, in the case of the music of In The Heights, I was stunned. It was brilliantly catchy and so clever, the cast’s enthusiasm was infectious, and I was frequently left grinning. In fact, the title song has been stuck in my head ever since! But there were also genuinely haunting, gut wrenching moments will leave you breathless, and perhaps a little teary!

If you missed this show at the Southwalk Playhouse like I did, do not hesitate to get yourself a ticket now. The intelligent lyrics, hummable tunes, heart stopping choreography and energetic cast were faultless, and to miss out on such an exciting production is a definitely no-no! Do yourself a favour and get yourself down to the Kings Cross Theatre as soon as possible, because I have a feeling the infectious buzz surrounding the show will make In The Heights one of THE must-see productions of this autumn!