Interview - Belinda Lang (Duet For One)

When asked for a brief overview of her career, Belinda Lang admits, 'I've been doing this for over 40 years, I suppose I must have been in dozens and dozens and dozens of plays, and a lot of telly as well, so I really don't think I can summarise it'. An enviable answer, and totally founded. Lang has been working as an actor since 1980, and made a name for herself in the 90s, in sitcoms Seconds Thoughts and 2point4 Children. Since then her CV has filled up with a massive variety of roles across several different mediums. In fact, you may have seen her earlier this year as Aunt Eller, in the BBC's Oklahoma Proms, reprising the role she played on tour a few years ago. And now she's returning to the stage yet again, to play Stephanie Abrahams in the UK tour of Tom Kempinski's award-winning play Duet For One


Based loosely on the real life musician Jacqueline du PrĂ©, Duet For One is the sparkling and moving story of concert a violinist who is forced to consult a psychiatrist after being diagnosed with Multiple Sclerosis, a life changing disease which forces her to reevaluate her life. Being a two hander, focusing on such an affecting subject, it's interesting to hear Lang describe the play as 'actually quite funny', before adding, 'you wouldn't think it would be.' In fact, despite playing a character whose life has been shaken by such a significant health issue, Lang maintains that Duet For One is not an upsetting play to watch or be a part of.  'Of course it's moving in that it's about a person who is struggling, but she's a very feisty woman and it's the not MS that going to get her. She's not dying. She's dealing with her life, and she goes about it in a very spirited fashion'. It seems as if Lang has a lot of admiration for the character she plays, which is understandable. Especially as she adds 'it's not a play about somebody in decline, it's a play about someone learning to live with themselves as they are, rather than as they thought they were going to be.'

Due to the two hander nature of the play, Duet For One has its own specific set of challenges, not least because sharing the stage with just one other actor is hugely exposing. Even when the actor opposite you is wildly successful writer and actor Oliver Cotton. Lang explains that 'every play brings different challenges', before elaborating that 'the main challenge in this [play] is learning it, because there are only two of us so there's a lot to take in, but it's very well written so once you know it it kind of sweeps you along.' That being said, she does joke that 'it's hard remembering it all in the right order!' It's surprising and heartening to hear such a seasoned actor talk so candidly and humbly about the challenges which such a play presents, with Lang admitting that 'you can't not concentrate for a single second, and of course, when you're in a play you should be concentrating, but it's frightening to know that if you drop your concentration then the whole thing could hit the deck.'

Belinda Lang in Duet For One
Understandably, the two-hander nature of the play affects the dynamic of the relationships between actors on stage, but interesting Lang explains that it also alters the connection between the actors and audience too. 'It's very personal. The fact that there's only two of us, and the fact that it's a conversation, sucks the audience into it. They get drawn in like a vortex, and when the bits come that are quite quiet you can feel the concentration. They concentrate with you, and they go through the process with you, which they might not so much if it was dissipated by other scenes and other characters. They do seem to come on a journey with us.' 

And it's that journey which Lang describes as Duet For One's main selling point Particularly in regards to her character's exploration of her feelings, and attitudes towards her new life. Lang describes how' 'a lot of people either have been through therapy, or haven't and wonder what it's like, and this does give you a sort of bird's eye view of what can happen. Therapy is a space to explore your feelings, some of which are aggressive, and it's a safe place to let off steam. I think people who've been there would recognise it, and for other people it's quite interesting. A revelation.'